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Peace and Blessings on your path.




Tuesday, February 16, 2010

I walked my first Labyrinth . . .



. . . at St. Paul's Anglican Church, on Jervis Street, in downtown Vancouver, British Columbia.

Then I attended the Pilgrimage and the Labyrinth Facilitator Training in San Francisco, at Grace Cathedral,
with The Reverend Dr. Lauren Artress, founder of Veriditas. There I met Robert Ferre, Master Labyrinth Builder, at his workshop on Labyrinth Building and walked the Labyrinth at Lands End (above photograph).

During the summer and fall of 2008, I began to experiment with the Labyrinth and "Liminal Space."

The process I developed to do this was drawing labyrinths in the sand, on the Foreshore of the Ocean, at places such as Spanish Banks and Sunset Beach.

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Walking a Labyrinth is like accepting an invitation to pray, meditate, contemplate, dream, celebrate or play; a place to find inspiration, satisfy a curiosity, examine metaphor, mythology or simply, a place to explore liminal space: a 'betwixt and between' place. . . Victor W Turner has described liminality as "a fructile chaos, a storehouse of possibilities, not a random assemblage but a striving after new forms and structures, a gestation process." Labyrinths are drawn on the foreshore, betwixt the nearshore and the backshore, between the low and high water marks to present liminal space as a physical location. Labyrinths may also be drawn during liminal time: dusk or dawn and/or solstice or equinox. The flags surrounding the labyrinth are used for a couple reasons: first they help people find the labyrinth at Spanish Banks. Next, they are used to create a natural acoustic environment. This auditory experience or sound scape ecology is intended to alter the perception and/or the perspective of visitors while they are walking the labyrinth. For information please email: walkingalabyrinth@gmail.com